modernist advertising

Advertising, like other phases of human endeavor, is subject to the vagaries of fashion. Today’s popular presentation may be obsolete tomorrow. In advertising, and particularly in advertising design, fashion changes have become so definite, regular, and persistent that one can trace their progress on graph paper and discern what researchers call “trends” in both technique and fashion. shapes of space.

However, when studying modernist real estate advertising, we must not be fooled by those who exaggerate these changes. We must refuse to be swayed by the claim that advertising is breaking its own conventions. If you take a typical ad from 20 years ago and compare its techniques to today’s ads, you’ll find they have little in common, but an analysis of the fundamentals will reveal that both are calculated to engage and interest the reader in their respective styles. they set out to convince you of the merits of the product or service they offer.

Today we tend, perhaps, to give more weight than before to the attraction of the reader. This is explained by the highly competitive conditions in which modern Simi Valley real estate advertising appears. The average newspaper, designed for intensive reading, is a huge cry for attention, and since the reading time spent on the newspaper is shorter than before, your message needs to “stand out” and grab the reader’s attention so they read it. . Rules and precepts play a minor role in this absorbing planning game of modernist Newbury Park real estate advertising. Grab a soft pencil and a pad and while your mind goes over the pictorial possibilities of the lines and tones your pencil has created. Let your mind’s eye see something concrete in your disorder and inconsistency. Unless you are completely devoid of a symbol of imagination upon which you will build your real estate advertising messages. Your rough, jerky scribbles can, in fact, provide the entire theme of your design. That is one way to start.

At first it still seems to be vague. So let’s develop a rough layout of the possibilities. From this it is evident that our “opposition line” is quite attractive. The illustration, it must be remembered, exemplifies only one method. The designer man is generally more restrained. You definitely have to start with the request that a figure be incarnated. Another way to start the layout is to look for inspiration in more defined and mechanical fonts. The most prosaic and inanimate objects can attract attention. In this sense, the pattern of a rug, for example, may be full of ideas for you. Advertising for Thousand Oaks Real Estate, Granada Hill generally agrees on this point.

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